Myriam Louvel Paoli is a French artist from Vaucluse who has chosen to put metal and volumes at the heart of her work. Following in the footsteps of Picasso, Calder, Giacometti to name only the most famous, she works with iron wires to create sculptures of varying sizes and types, sometimes combining objects with wires, as in her series of “Repairs”, or operating “piles” of shapes, which creates large volumes in the space where imagination can flourish, only guided by enigmatic titles left as clues. Virtuoso of her medium, she also creates less abstract sculptures, such as “Le Bouquet” of which detail is pushed to the buds on the branches…
Fubiz Media http://bit.ly/2S050sa January 30, 2019 at 04:57PM
Netflix’s Fear Street trilogy, a three-week spree of crimes against innocent Shadysiders, ended on Friday. It’s possibly the biggest slasher-movie event since the 2018 Halloween broke box-office records for its franchise and production company. There have been other slasher flicks since then; the bloody body-swap Freaky comes to mind as one genre torch-bearer, seen mostly on VOD late last year. However, with its staggered release pattern — instant summer sequels, now available to stream! — Fear Street has built up a sustained momentum this month that goes unmatched by other recent entries in the genre. We took a non-spoiler look at all three Fear Street films as they launched: Part One: 1994 on July 2, Part Two: 1978 on July 9, and Part Three: 1666 on July 16. Now, as the dust settles in the town of Shadyside, we’re ready to dive into the deep end with a spoiler-filled look at the plot twists, character deaths, and buried themes of the whole decade-hopping trilogy. T
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