Good afternoon Insiders, Max Goldbart penning the newsletter this week in what has been a (surprise, surprise) hugely busy week in the world of international TV and film. We really should stop qualifying that. Read on. And sign up for our weekly Insider here. Regulation Nation Bill the Media: It’s been a long time coming […]Deadline https://ift.tt/qryo8np March 31, 2023 at 11:58AM
Contemporary Chinese Cinema is a column devoted to exploring contemporary Chinese-language cinema primarily as it is revealed to us at North American multiplexes. The sneakiest major release of the year is surely the latest from Japanese director Shunji Iwai, whose new movie opens this Friday at a dozen multiplexes around North America courtesy of the distributor China Lion Film. Last Letter is Iwai’s first film made in China, and stars Zhou Xun, who starred in one of last year’s best films, Ann Hui’s Our Time Will Come , which was also distributed here by China Lion. That he would be working in a new country is no surprise: Iwai is one of the more eclectic filmmakers of his generation: having started in TV and video in the early 90s before moving into film, he’s since made documentaries and music videos, science fiction films and anime, epics of modern alienation and ravishingly romantic odes to the wonders of youth and love. His last film, Chang-ok’s Letter , was an hour-long...
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